ARE GHOSTS EXTINCT?

Darryll B.D. Walsh, President GPC

They are everywhere. You can’t turn on television or watch YouTube without seeing the latest video or hearing the newest recording from an abandoned asylum or lonely graveyard. And of course your family has its own favourite ghost story or two. If not, you probably live a stone’s throw from a stop on the local ghost tour or eat at a restaurant that plays up its unsavory past.

Polls differ slightly, but a strong minority believe in ghosts. That is up dramatically in the past decade, almost certainly as result of being bombarded by television and Internet sensationalism. And we want to believe. Sixty-one per cent of people believe in an afterlife. Still, after thousands of years and the utilization of cutting edge technology we still cannot definitively say what ghosts are.

The “proofs” offered on hundreds of websites all have normal, mundane explanations. Readings on many of the instruments dedicated to ghost hunting wouldn’t raise an eyebrow in other contexts. Yet, for all these proofs to be true evidence of ghosts would require a radical departure from the conception and behaviour of ghosts throughout history. Not to mention violate a plethora of known natural laws. But then we could console ourselves that they are the result of some unknown natural law. Are we fooling ourselves by chasing digital readouts from various pieces of mundane equipment instead of the one and only way to ascertain a ghost? If all the evidence for ghosts we can amass is just digital ones and twos, perhaps it isn’t too outrageous to wonder what happened to the ghost that used to be so widespread and unmistakable?

The nature of ghosts

The word ghost was coined in the late sixteenth century. It comes from the ancient Germanic term, gast, and is commonly believed to be the disembodied spirit of a deceased person. Though some foolishly think ghosts will disappear with more science teaching in schools, parapsychologists study two theories. The first is they are a disincarnate entity that once lived on earth in a human body. Others pursue the theory ghosts are internally generated hallucinations, ESP writ large. Whatever they may actually be, in one indisputable reality almost everyone needs to believe they are proof of an existence beyond death.

Depending on who you ask, the different types of ghosts vary from 3 to 5. For our purposes here there are three main types of manifestations that we call ghosts. The first is the aforementioned disembodied spirit of a deceased human or animal. It is self-aware and often appears at the time of death. In parapsychology they are referred to as Apparitions. The second type of ghost is often referred to as the “playback” type of ghost or Residual Haunting. They are a replay of past events, somehow imprinted upon the environment, and manifest themselves when certain conditions occur that we do not yet understand, though most would hazard a guess meteorology plays some part. Perhaps those old black and white movies with their raging storms and gliding ghosts along dark hallways were closer to the truth than they thought. Thus Anne Boleyn, the unlucky second wife of the worst king England ever had, Henry VIII, can be seen at various locations in the UK doing mundane, ordinary actions and seemingly unaware of the presence of witnesses. She is also seen being taken from the scaffold in the Tower of London, headless, and carried by four Footmen. Now, no one believes her spirit and that of the four Footmen have nothing better to do than reenact that sad phase of her tragic life repeatedly throughout time. Some believe these tragic events are somehow impressed upon the surrounding environment. But what about the mundane, ordinary, non tragic views of her?

The third type is the rare ghost of sensational television and publicity-seeking ghost/demon hunters. They are loud, dangerous and destructive. They are also always unseen. We know these spirits as poltergeists, German for “noisy spirit.” Nova Scotia has had two major poltergeist incidents and one, the Esther Cox or Amherst Mystery, is famous worldwide and featured in many books on the paranormal even though it pales in comparison to the Mary Ellen Spook Farm of Caledonia Mills. As with many things in the paranormal, good PR often trumps truth. Though most hauntings may be mistakes, most poltergeists are the result of purposeful fakery. But as with a small number of ghosts, there are some that challenge our beliefs.

Historical antecedents

Ghosts are mentioned in many ancient texts including the Bible. Matthew 14:25-27, Mark 6:48-50, and Luke 24:37:39 in the New Testament all refer to ghosts, but the most famous passage concerning a ghost is the one from I Samuel 28: 7-20 in which King Saul asks the Witch of Endor to conjure the ghost of Samuel, his former adviser. For this insolence, Saul is cut off from God’s favour for choosing to consult a spirit instead of trusting in God’s plan for him.

Historically, our belief in ghosts has remained constant, yet our interpretation of them and their corresponding behaviours, has changed. Ancient peoples believed the dead lived on in another form that required they be buried with many of their earthly belongings and some kind of sustenance to help them once they reached the other side. The most well known example of this, of course, is the burial rites of the Egyptian Pharaohs.

Also, many ancient cultures believed that improper funeral rites, lack of any kind of burial, accidental or malicious death where the body was not recovered, suicide or failure to resolve some unfinished business, would lead to a restless spirit. Often as a vampire in Eastern Europe. Folklore is full of stories of an unwary traveller who would be accosted by the ghost of someone who needed the assistance of the living. Often their body was not found or buried properly and thus this state of affairs must be rectified or they cannot rest. Owing money to someone was another reason for the restless dead. Often the required action or amount paid would seem insignificant to our modern eyes.

Samhain

The appearance of restless spirits was rarely a welcome event. It often inspired intense fear, and sometimes still does. Though we enjoy ghost stories and welcome ghosts as a comforting reaffirmation of life after death, the actual experience of a haunting is another matter.

The dead are supposed to stay dead. This fear of wandering souls expresses itself in the modern phenomenon we call Halloween, which is based on the ancient Celtic celebration Samhain, which means ‘summer’s end’. Celebrating the harvesting of crops and marking the end of the Celtic year, Samhain also was a precautionary ritual to ward off the dead. They were thought to walk freely through the world during this time so the ancient Celts initiated the practice of wearing masks so as not to be recognizable by a spirit who may wish them harm. Fires in the hearth would be extinguished and people of the village and surrounding areas would walk to the top of a hill where a huge bonfire would be lit. Then people would light sticks from the bonfire and travel back to their homes to relight their hearths for another year. Since the dead would be attracted to the larger bonfire on the hill the Celts thought safe to relight the famil y hearth.

This ritual, along with the wearing of masks and costumes, would thwart the restless dead and keep the Celts safe. When Christianity became the dominant religion of the British Isles the church incorporated many pagan holidays into their calendar in an effort to make it easier for people to transfer their allegiance to the new religion. Instead of many Gods, now there was to be only one. Since Samhain was such a popular festival, it became All Saints Day or Hallowmas, November 1st. Thus the night before became All Hallows Eve (Halloween). And to seal the deal, November 2nd became All Soul’s Day. When the rituals of Samhaim persisted despite two special days dedicated to the dead, and the best efforts of local priests and bishops, Church teachings changed in an effort to link Samhain with demons and the devil. This was fairly successful to a degree in England, but elsewhere Samhain developed into Halloween and has flourished into the 21stCentury.

Ghosts in the Victorian Age

For as long as there is written history the ghost appeared as a full-bodied representation, solid and in full 3D. It would be very easy to mistake them as human beings, as some may have been, but most were accompanied by the rattling of chains or the sounds of groans and moans. The most famous depiction of this is in Charles Dickens’ classic A Christmas Carol. On film there are delightful, fun depictions, or dark, brooding horror movie type renditions. The most famous are the 1951 Alistair Sim or 1984 George C. Scott versions that heavily reinforce the Victorian vision/belief of the classic ghost or haunting. The 2019 version with Guy Pierce is the most horrific in presentation, yet is also a fascinating character study any student of psychology would instantly enjoy. Victorians loved their ghosts and no Christmas was complete without ghost stories on Christmas Eve. This can be seen today on the various television channels with series having offbeat or paranormal themed specials at Christmas. Ghosts still cried out for absolution of sins or vengeance against perceived wrongs if you were unlucky enough to meet them on lonely roads or at a crossroads. 

Reality TV, the Modern Ghost, and Reality

The appearance and behaviours of ghosts in the modern age differ sharply from the classic ghost. Gone are the sounds of chains rattling in the night. No longer do the ghosts plead pitiably for redemption or wail loudly for revenge to unwary travellers. Today ghosts are mostly reported as a shadow, movement out of the corner of one’s eye, or simply felt as a presence. Not only has the ghost lost its pathetic voice pleading for help, its lost its looks as well. Whereas once many a ghost’s appearance was cyclical and predictable, now they seem random and uncontrolled. The ancient terror of low moans in the night has been replaced by indistinct garbled sounds on cheap recorders. The ghost has lost his traditional voice.

When they are not rummaging around damp, dark basements of old houses and abandoned asylums in green light screaming questions at nothing, ghost hunters spend a lot of their time complaining that scientists don’t understand them and won’t look at their evidence. What they are really saying is that science has looked at the evidence and seen that it is insufficient to prove anything, let alone a haunting is taking place. Let me be clear. There is no piece of technology anywhere that can tell you any place is haunted. None. Period. Full Stop. There is no such thing as a ghost detector. Technology may be marketed as such, but there is no equipment for that purpose. And none that can find a ghost. The amateur may say they are scientifically searching for ghosts but they are actually technologically searching for them instead. And as expected, this has been a total failure. Why is all this expensive technology useless in the pursuit of ghosts? 

Every piece of technology employed in the search for ghosts was developed for more mundane uses. Since the theory that disembodied spirits exist is assumed to be true, any apparently anomalous readings from these instruments are eagerly promoted to be conclusive evidence of such. But there is no reason to suppose that these anomalous reading are anything other than the result of badly calibrated or improperly used equipment.

The only way to ascertain the appearance of someone who is dead is to see them with one’s own eyes. To see someone who absolutely cannot be there, who is known to be dead by all and sundry, is the only way to conclusively prove something paranormal appears to be happening. This is one case where all the technology in the world is useless. There is no way to tell if technology is registering something paranormal, capturing regular variations in conditions being monitored, or simply being misused and misunderstood. It would be ideal be to find a haunting that is frequent, predictable and visual. Once the location of such a haunting is ascertained, then and only then, equipment can be brought in to see if there are environmental changes that occur simultaneously with the appearance of the ghost. This stage of the investigation has to be handled scientifically, without bias and with the participation of both skeptics and believers. Only with the accumulation of impartial evidence that is attested to by both sides of the argument will ghosts be proven to exist. 

Are ghosts extinct?

The classical ghost of old certainly is. They are now rarely seen in our busy modern world. Most reports of hauntings are of ambiguous phenomena that might or might not have anything to do with a ghost. They don’t interact with the living as they once did.

Whereas once the ghost would appear dramatically to family or strangers at will, now they are shy and often only experienced only via digital readout. The ghosts that used to comfort us with promises of eternal life even as they frightened us out of our wits exist now only in folklore and ghosts stories. As with other areas of life in our modern technological world, we have lost something poignant and romantic in our digital haste. 

An Article Attempting to Understand Temperature and Ghosts.

‘Maybe death isn’t the end’: can a TV series prove the existence of an afterlife?

https://www.theguardian.com/tv-and-radio/2021/jan/07/surviving-death-netflix-tv-series?CMP=share_btn_tw

In the Netflix docuseries Surviving Death, a ‘non-believer’ film-maker explores the possibility that something else might be waiting for us at the endRadheyan SimonpillaiThu 7 Jan 2021 07.10 GMT

  • The Netflix docuseries Surviving Death has no shortage of paranormal activity. Mediums call on the dead. Seances try to manifest them. People claim to be reincarnated actors, pilots or murder victims while others describe feeling a heavenly embrace during near-death experiences. Over six hour-long episodes, the series pores over signs and evidence that there is something to experience beyond our last breath.
A still from Surviving Death. Stern’s series builds a provocative case that our consciousness can and does continue beyond life as we know it.

Surviving Death’s director, Ricki Stern, is ready for your skepticism. Her show practically invites it.‘It’s not a question of belief’: the film examining government UFO recordsRead more

“I would call myself a sort of non-believer, but someone who was open to it,” Stern told the Guardian from her New York City apartment.

Stern, whose recent docuseries work includes Reversing Roe and Surviving Jeffrey Epstein, doesn’t shy away from cross-examining the mediums and witnesses who appear on-camera saying they speak to or have seen apparitions. The show never dismisses the possibility that a seance can use lighting tricks to conjure a ghost or a medium can dig up information on Facebook and pass it off as info from the great beyond.

But Stern’s series also builds a convincing and provocative case that our consciousness can and does continue beyond life as we know it. The director explained that she wanted to explore the possibilities of a great beyond through legitimate analysis.https://www.youtube-nocookie.com/embed/Cq5V9SgO1_A?wmode=opaque&feature=oembed

To do that Stern followed the lead from journalist Leslie Kean’s book, Surviving Death, which the series is based on. Kean, who also appears in the series, brought a research-heavy scientific approach to discussing an afterlife, which can be a bit like using a stethoscope on a ghost. When the scientific world loves physical evidence, how do you build a persuasive argument for the metaphysical? Kean told the Guardian she enjoyed the inherent challenges of bringing investigative practices to find “truths that you can probably never get to”.

She also pointed out that she is simply following a distinguished lineage of people who have gone down this path for hundreds of years before her. Philosopher and psychologist William James, Sherlock Holmes author Sir Arthur Conan Doyle and Dr Ian Stevenson, who founded the division of perceptual studies at the University of Virginia in 1967, are some of the people who produced papers and manuscripts on paranormal investigations.

“They’re not necessarily believers,” Kean said. “But they’re people that take it seriously enough to want to study it.”

Doyle’s popular Victorian-era creation, Sherlock Holmes, was a skeptical, scientific mind. In novels like The Hound of the Baskervilles, Holmes would pull back the curtain and disprove theories involving the supernatural and paranormal. But Doyle was surprisingly more open to the possibility that there are people who could communicate with the dead, and even manifest them.

Surviving Death tries to find the tricky balance between that Sherlock skepticism and Doyle’s openness to spiritualism. The series also addresses how finding evidence of an afterlife almost always requires an open mind. You have to be willing to accept that a visit from a persistent cardinal or flickering lights can be signs from the dead. But Stern admitted that such openness is also grounds for dismissal: “You could just say, people are who are looking for signs will see signs.”

“Everybody has to decide for themselves whether something has that meaning for them or not,” Kean added. “With signs, it’s not really objective.”

Leslie Kean
Leslie Kean. Photograph: Netflix

When investigating life after death, objectivity isn’t really in the cards. With this particular subject, absolutely everyone is personally invested. Journalists and academics, like Kean and Conan Doyle, who explored the subject scientifically can’t help but be affected. Conan Doyle was nudged towards spiritualism following his son’s death. While researching for her book, a close friend to Kean died, bringing her work closer to home.

“If you have these profound experiences in the process of [investigating], then you’re sort of joining your journalism with your personal experience,” Kean said. “But that’s really the only way to study it at the same time. It’s hard sometimes to separate the two.”

Stern’s series departs from Kean’s book by focusing on personal stories about encountering the afterlife. More often than not, the subjects in the series are motivated by a personal loss to find signs of an afterlife.

Mike Anthony is a particularly fascinating character in Surviving Death. After losing his father some years ago, he became a hobbyist of sorts, visiting different mediums who claim to be communicating with his father. These visits have two purposes. Anthony is continuing a relationship with his father. But he’s also vetting and rating these mediums on their abilities, with a willingness to admit that some are probably hustling and taking advantage of his trust. He puts himself through a heavy rinse-and-repeat cycle of emotions between skeptic and believer and back.

“It is a bit of an emotional rollercoaster for him,” said Stern, who described Anthony as an audience surrogate. To discover the truth, he repeatedly made himself vulnerable to believing and often met with disappointment as a result.

Stern agreed that such emotional vulnerability is exactly what we “protect ourselves” from when we stay skeptical. Some of us are cynical about the possibility of an afterlife because we don’t want to set ourselves up for the most crushing disappointment.

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 Photograph: Netflix

The other side of that equation is hope.

“I just hope the series is going to help people open up their minds and question the nature of consciousness,” said Kean.

Her book is the perfect litmus test for the response that can be expected for the series, which, given its universal subject matter, has undeniable appeal for a wide audience. Readers reached out to Kean to express how they or someone they know found solace in the book while dealing with grief. Others reached out to talk about how they too experienced possible signs that they were never able to speak openly about before, because there’s a stigma around rational minds believing in an afterlife.

“I think the book opens a door for people to feel more comfortable talking about all this,” Kean explained. “I’m framing it in a way that’s extremely credible and research oriented.”

“We can’t answer the questions,” Kean added. “We don’t try to do that in the series. But it’s about [the possibility that] there is something that happens after we die. Maybe death isn’t the end.”

  • Surviving Death is now available on Netflix

Ghost Project Canada: The Value of Phenomenological Research Design Projects

By Elliott K. Van Dusen

 

Ghost Project Canada is a phenomenological research design project managed by parapsychologists Dr. Darryll Walsh and Dr. Elliott Van Dusen. Ghost Project Canada is mandated to collect encounters of the supernatural and other mysterious phenomena. Geographical and statistical analysis will be conducted including the extrapolation of trends, hotspots and classification of phenomena. Explication of the lived human experience surrounding the phenomena will also be examined from a psychosocial and cultural perspective. The results will be published and made available to the general public and submitted to Federal and Provincial Archives.

Parapsychological phenomenological studies are not a modern revelation. Eleanor Sidgwick of the Society for Psychical Research began conducting phenomenological studies involving apparitions as early as 1882. Sidgwick analyzed hundreds of ghost reports and through statistical analysis, was able to determine that apparitions could be seen inside, outside, in daylight, artificial light, at dawn, at dusk, and in various parts of a residence or structure. Conducting such studies helps enlighten one’s understanding of parapsychological phenomena and dispel fallacies. For instance, due to Sidgewick’s phenomenological study, we have known for almost 140 years that darkness does not draw out apparitions. Investigating ghosts with the lights turned out has absolutely nil advantage, except to increase the dramatic effect for television viewers.

Although parapsychological phenomenological studies are not unique, the objectives of Ghost Project Canada’s mandate is believed to be the first of its kind in Canada. Other Canadian academics have participated in separate and unique parapsychological phenomenological studies. The field of parapsychology is eagerly awaiting the final report of Simon Fraser University associate professor of human geography, Dr. Paul Kingsbury. Dr. Kingsbury conducted a four-year-long study which examined why people pursue the paranormal. The growth of paranormal investigation cultures were examined through a study of the lived spaces of field work, conferences, and community events. His research focuses on those who investigate ghosts, those who study the UFO phenomena and those who partake in the search for cryptozoological animals. The project was funded throughtheSocial Sciences and Humanities Research Council Insight Grant and was in its final phase of research in late 2019.

If you are interested in contributing stories to Ghost Project Canada, please visit our website at www.ghostprojectcanada.com, or you can e-mail ghostprojectcanada@gmail.com. Confidentiality is assured. Ghost Project Canada is not a paranormal investigative agency. You can however, visit Paranormal Phenomena Research & Investigation at www.ppri.net or e-mail info@ppri.net and an investigator will contact you seeking for further information.
References:

Scientific Exploration of Anomalous Aerospace Phenomena. (2019). Dr. Paul Kingsbury.

https://www.explorescu.org/dr-paul-kingsbury

Simon Fraser University. (2020). Paul Kingsbury – Department of geography.

https://www.sfu.ca/geography/people/profiles/paul-kingsbury.html

Van Dusen, E. (2019). Evil in Exeter. La Vergne: TN. Ingram Content Group LLC.

Will Covid-19 finally kill off the non-reality realty ghost show?

Prior to mid March there was an overabundance of supposedly true or real ghost hunting shows, which encouraged amateurs, (not the ones on TV; regular people), to go around imitating the ridiculous antics of the supposed ‘experts’ which populated each show.  The fact that prior to their being on tv most were plumbers, cooks, truck drivers, etc., none of whom were/are in any way trained as proper investigators as demonstrated in their antics in the overpopulated locations they are supposedly investigating.  Dozens of people are often crammed into tight spaces, usually damp basements or crumbling buildings which serve as proper background visuals for the show.  This is a perfect way to spread the disease.

Social Distancing is not possible in the way these shows are designed.  The host has to be in tight places in order to interact with the crew, other investigators or the ‘ghosts’, usually by yelling at them to speak to him.  The ghosts, not the humans, though in outtakes not shown there is a fair number incidents where the more exciting ‘happenings’ occur accompanied by prima donna shouting, shoving and the usual negative and over emotional reactions to technical matters that may be interfering in the smooth running of the show.

The only way the shows could proceed is by remote viewing and recording any incidents in the house, asylum, jail, etc. from a remote location. The house or institution would be wired for sound and visuals.  This is actually closer to the proper scientific method that should be applied, but it is also the most boring and tedious method for the medium of TV.  Also, the location where the various feed comes in from the location will have to be specially designed and sanitized so the hosts can be safely filmed being bored out of their mind  while trying to enlarge some natural occurrence like a creak or static sounds into voices and the movements of the spirits.  It would be a thorough boring show that accidentally shows how tedious the real job of parapsychologists is. This however, is death to ratings and hopefully many of the ghost shows will not survive the pandemic and those who are specially trained to actually do the investigations will be left in peace and perhaps regain some of the respect they once had before Reality TV came calling.

Is Covid-19 Leading to more ghosts?

We should perhaps take this with a grain of salt since the ‘paranormal investigator’ is associated with a show called ‘Ghost Stalkers‘, and reality shows are anything but real and designed to be artificial, planned and as a form of entertainment not a source of real information about ghosts, hauntings, parapsychology, true investigations, etc. This article from the CBC News site is covered under the “Fair Use” principle since the subject matter and statements therein are being critiqued and analyzed for their social/cultural importance. Should CBC disagree or requires a different disclaimer please contact us at ghostprojectcanada@gmail.com.

https://www.cbc.ca/radio/asithappens/haunted-house-reports-on-the-rise-during-pandemic-says-paranormal-researcher-1.5571882

Haunted house reports on the rise during pandemic, says paranormal researcher

John E.L. Tenney says more people are at home and taking notice of their environment

Reports of haunted houses are on the rise while more people are stuck at home during the pandemic, says a paranormal researcher. (Julie/stock.adobe.com)
Listen6:05

Transcript

The new normal is bringing out the paranormal, says John E.L. Tenney.

Tenney, a paranormal researcher and former host of TV’s Ghost Stalkers, says he used to receive two to five calls a month from people convinced their homes are haunted.

But since the COVID-19 restrictions started, he says he gets five to 10 calls a week.

The New York Times also noticed the uptick. The newspaper interviewed Tenney this week for a feature about the many people around the U.S. who are stuck at home with what they believe are roommates from beyond the grave.

“There is no scientific evidence for the existence of ghosts,” the newspaper helpfully notes.

Tenney spoke to As It Happens host Carol Off about what’s got people so spooked. Here is part of their conversation.

What kind of stories are you getting?

Everything from typical knocks and footsteps in the hallway, to some very new, strange occurrences, like people hearing whispered voices through their television sets or getting text messages from long deceased friends and relatives.  (Highly unlikely that these phenomena, if real, are suddenly exploding into our consciousness)

And what do you make of this?

If we’re going to allow or believe that ghosts exist, then people are seeing an uptick of ghosts.

They’re in a heightened emotional state. They’ve been sequestered. They’re spending time in their house, which they normally don’t do at certain hours.

Most people are gone at work and so they’re not used to hearing the pops and creaks in their house normally. But if there are ghosts, perhaps they’ve had a ghost in their house all along and they’ve just never noticed that.

Perhaps the ghosts are getting bored too.

Is it possible that the ghosts themselves are getting more active, given that these people are at home all day long?

If ghosts are the way that we traditionally think about them, which is, you know, were once people, then perhaps the ghosts are getting bored too, and they’re making themselves a little more known to the people that they’re not commonly used to seeing at all hours of the day and night. (Bored ghosts? It is a stretch and very unscientific to assign emotions to an ethereal entity, should it even exist, sine they possibly occupy a location in time and space we know little about.  I’m sure if they were bored they could easily move on to somewhere else on their plane of existence or leave us altogether.)

Maybe they don’t want that company. I mean, some of the reports that I was seeing in this New York Times article, this sounds quite annoying — like little petty things of doors slamming and towels on the floor and rattling the shades and things. I mean, maybe it’s a message that they just want to be left alone in these houses.

It’s possible. (But unlikely. Doors slamming and towels on the floor are common everyday occurrences and not directly correlated to hauntings/ghosts.)

As human beings, we have difficulty communicating and discerning the motives of other living human beings that are right in front of us. So for us to try and divine what the intention is of an ethereal, invisible being that we can’t really see?  (Psychological studies have show we are very good at ‘determining’ the motives of other humans and we bitch about them everyday in our coffee houses or at the pub over a cold beer.  He is right in that determining motives, if there are any , which is highly unlikely, is an impossible task in this modern age.  In the history of ghostly lore over thousands of years ghosts had a purpose and were not shy in expressing it. Since today we have trouble determining any motivation, this could mean that: (a) ghosts are less communicative for reasons we do not understand, (b) reality TV shows are incompetent in locating true hauntings, (c), ghosts are a social construct which has changed over time, and (d), we are not looking for them in the right way.)

They might just be trying to get attention, and they’re doing it the only way they know how, which is slamming a door or pulling a window shade or slamming a window.

Is it possible … that people, being confined and seeing no one, are just going a little nuts?  (GPC Ed: We would not use the word nuts to explain this, but the question is certainly valid and boredom and imagination combined with stress, which is the main ingredient in any haunting, is the probably reason for the alleged uptick in reports. We are trying to validate his claims.)

I tell people to kind of take copious notes, journal about it, keep track of when it happens, because the majority of cases that I investigated over the past 30 years have had a natural solution to them. (Almost all.)

There might be something happening in your house, whether it be your furnace turning on or a truck driving down the street every day at the same time, that you never noticed before. But once you start to take notes, you’ll notice that it’s a repeating pattern or something that’s very familiar.

How often do you actually … find something that’s there?

I’ve investigated thousands of cases and there are probably maybe less than a hundred where something really unique and strange is happening.

What was the strangest?

I’ve been in a situation where I was in a room with 13 people and we had the lights off and this room was allegedly haunted. And so we were sitting in the dark and everybody was saying their name, kind of introducing themselves to the ghost, for lack of a better word. ( A very unscientific way to investigate ghosts)

And one woman in the corner refused to say her name. And that’s fine, but when I asked if she could say where she was from, she didn’t respond.

So I turned the light on, and that’s when everybody in the room realized that that woman that we had all thought was with us had never been there. There was an empty spot where we thought she had been sitting. (Since true  ghosts appear as solid, three-dimensional entities indistinguishable from real people, this could be a true case of a ghost since human sight is the only way to locate them, ie, all the equipment int the world is useless in locating them. Assuming this is true as related to the reporter of course.)

I have had, you know, situations where I’ve seen strange coloured mist floating around a room or through a cemetery.

But sometimes it’s almost so typical that it’s hard to believe you’re looking at something that’s cloaked with a skeleton-like face. Your mind just says, “Oh, that’s gotta be something from a movie. It’s got to be something I’m imagining. (Ah, no. Didn’t happen)

When you have an experience where someone says, “Oh, I’m seeing a very spooky movie-like ghost” … you have to wonder how much their mind is playing into how they perceive their reality.

So that brings us back to this quarantine thing. I haven’t heard anyone say that they’ve experienced something paranormal, but lots of people saying that since they’ve been locked in lockdown, they’re having a lot of … strange dreams. So [is] a lot of this in the imagination, do you think?

I saw a spike like this before, right at the Y2K in 1999. There was another minor spike around 9/11.

Times of stress really do something to human psychology, and so you see people having deeper, stranger dreams. You have people reporting a higher amount of ghosts in their house or haunted houses. (Very true!)

I have even had an increase in UFO reports since the quarantine. And that might just be because people, you know, go outside and look up at the sky and have time to reflect. (Also very true)

It doesn’t mean so much that they’re going crazy, but perhaps they’re just becoming a little more introverted and perhaps getting to know themselves a little better.

Would you tell people to be receptive to these experiences?

I would. I think that our world is so strange, you should have as many weird experiences as possible. I also think that once you open yourself up to a weird experience, you start to have more of them. (That is something we call the Kitchen Sink Phenomena. When a paranormal even occurs, normal events, as well as unusual but innocent events are suddenly being classified as supernatural and often falsely related to the original event when they are not.  Or the person begins to believe that the supernatural follows them around and becomes paranoid or accepts the false believe and treats it as almost a religious revelation and ‘honours’ this ability accordingly. It is not acceptable parapsychological practice to encourage this. )

The majority of cases that I’ve ever investigated, people don’t get hurt. It’s not scary. It’s startling, but it’s not scary. If someone does get hurt, it’s because they are startled and fall off of a ladder or run down the steps and trip on their own feet. (Correct)

But I think that if ghosts are here, they’re a part of our environment and we should get to know them. (And thus the reason for the scientific work of Ghost Project Canada)


 

Ghost Project Canada Mission Statement

Parapsychologists Elliott Van Dusen and Darryll Walsh, through the offices of the Centre For Parapsychological Studies in Canada, (CPSC), and the Paranormal Phenomena Research and Investigation, (PPRI), are dedicated to the collection, analysis, and distribution of all supernatural events in Canada. Geographical and well as statistical tools will be employed to determine trends, hotspots, types of phenomena, human reactions to various unusual events, and the changes over time in both the character, nature, and number of phenomena found across the varied areas of the country. (Eventually the same efforts will be applied to the US and Europe.) All results will be made available to the Federal Archives in Ottawa, all ten Provincial Archives, as well as Folklore Studies faculties in applicable universities.
 
Through the application of proven scientific analysis we will come to understand the nature of the supernatural in Canada, differences in both inter and intra provincial areas, and how we relate to other countries. Collection of stories will be non-judgemental since it is vital we have the most complete set of data to use for this project.
 
Please contribute through ghostprojectcanada.com, ghostprojectcanada@gmail.com, 902-782-414-4666 (Dr. Van Dusen), 902-414-9535 (Dr. Walsh) Thank you for your assistance.